Sudhir Srinivasan

Sudha Kongara: Women have to work twice as hard for half the credit

“She pours into her films quite a bit from her own life, she says. For instance, there’s a scene in Soorarai Pottru in which the protagonist Maaran’s father communicates wordlessly. It’s inspired by her father (who passed away during the making of this film and to whom there’s a dedication at the beginning), who kept calling out to her at the end, though he couldn’t speak.”

I recommended another actor for my part in Tenet: Dimple Kapadia

“The truth is, I tried every trick out there not to do this. I don’t do auditions generally and didn’t want to — not even for Tenet. At my age, you begin to ask what you are going to get now, doing a Hollywood film.”

Tenets of a standup comedian

“Back when I burst onto the scene, only the privileged and those who had the luxury of familial support, could give a shot at being a standup comic, but that’s not the case anymore.”

Miss India Movie Review: A woman sells tea in the US at the expense of us

“This film that tries to mean well for women has its central character, Manasa Samyuktha (Keerthy Suresh), telling a date that should a woman say that she’s thinking about a decision, it means it’s a yes, and that should she say yes, then she shouldn’t be thought of as a woman at all. To borrow a modern idiom, the mind really boggles.”

‘I like that we have made good Telugu content from Chennai’

…says writer-director Siva Ananth, as he joins directors Sarjun and Barath Neelakantan and actor Prasanna for a chat about their recent Aha anthology, Addham Aha’s new anthology, Addham, is made up of three short films, Crossroads (directed by Barath Neelakantan), The Unwhisperable Secret (Siva Ananth), and The Road That Never Ends (Sarjun). All the stories speak of flawed judgments and centre on moral conundrums….