It’s a film whose fleeting intrigue never truly builds into something bigger. Perhaps composer Santhosh Narayanan spotted this and realised the consequent futility of attempting to build on the shallow horror in the material. Perhaps that’s why in scenes featuring a mother bawling over a lost baby, his music remains curiously detached and blithe—like it were simply killing time by itself.
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Kara Movie Review: A Sentimental Heist
Bank robbery, heist, a team forming, an expert who’s figuring his way around new challenges… these are all such cinematically exciting ideas. In the case of Kara, director Vignesh Raja tries to marry them with Tamil film ethos: Small-town setting, farmers, theism, Robin Hood figure… and of course, the mother of them all: melodrama, which…