Idhayam Murali begins with some generic nostalgia bait: patchy cable TV connections, teacher crushes, Fanta bottles, desktop computers and CD-ROMs that I gazed at with half-misty eyes… There may be all this nostalgia in the beginning (perhaps because it is a reinterpretation of Idhayam, a film from a different time), but make no mistake, the…
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Jananayagan Movie Review: When a Farewell Becomes a Manifesto
I suppose the question always was: what’s so special about Bhagavanth Kesari that it needed to be repurposed as Vijay’s last film? Balakrishna’s film rides on moments, on his entertainingly over-the-top presence, on a kind of, shall-we-say, self-aware absurdity? When he yells, “Bro! I don’t care!”, you’re laughing even as you’re cheering. With Vijay, we…