“Given its deceptively interesting beginnings, you’d never guess how low Maska would go on to fall.”
The parts I liked in this show are those where this cinema superstar shows a bit of vulnerability. Like when Grylls says that the park has a lot of snakes and Rajini goes, “My god!”, his eyes betraying anxiety. Or how about when he’s about to be harnessed across a rusty bridge, and he almost resignedly says, “Kadavul irukaar.”
“I’d definitely have liked to know a lot more about the most interesting character in this film: Its villain, a paedophile. There’s a lovely twist about him, and it’s a character whose menace is drawn from how quietly manipulative he is.”
“You could argue that Gypsy is posited as the ideal man by this film. He’s a man without a last name, without a religion or caste. He speaks several languages and can do many jobs. Perhaps because society and its humans can scarcely understand him, his closest friend is a horse named Che (no points for making the evident connection to that over-romanticised Cuban revolutionary, Che Guevara).”
In a scene which is deep without striving too hard to be, he observes that he had somehow become accustomed to being dominated by her, that he’s now missing her presence. Among heroes who profess their love with total conviction, it’s refreshing when, amid all this fragility, he tentatively offers, “Love panniten pola?”
