Kantha is so dense with meaning and layers and emotional subtext that a simple reading of whether it’s good or bad, impactful or not, would be a grossly reductive, unfair response to it. The longer I contemplate the film, the more it seems to reveal itself… the writing choices and the emotional motivations underneath its…

The Good Adhik Ravichandran’s cinema is a genre unto itself—it’s not so much a film as a rave party. And like all parties, some are more intoxicated than others. It’s not a space for nuanced conversations or emotional coherence. At any given moment, someone’s dying in slow motion, as we laugh and cheer or both….

Perhaps it’s the repetition of certain ideas, or perhaps it’s the undeniable power of Shankar’s hit cinema, but it’s impossible not to think of his earlier works—his heyday, shall we dare call it—while watching Game Changer. A road grinding to a halt due to governmental apathy reminds you of Mudhalvan. A government authority dismantling corruption?…

In Viduthalai Part 2, a film that leans more on thought than emotion, more on words than feelings, my favourite portion is a brief, tender exchange between Perumal (Vijay Sethupathi) and Mahalakshmi (Manju Warrier). They are united by their disillusionment with life and society. Mahalakshmi has almost adopted the appearance of a man (and we…