I suppose the question always was: what’s so special about Bhagavanth Kesari that it needed to be repurposed as Vijay’s last film? Balakrishna’s film rides on moments, on his entertainingly over-the-top presence, on a kind of, shall-we-say, self-aware absurdity? When he yells, “Bro! I don’t care!”, you’re laughing even as you’re cheering. With Vijay, we…
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Sardar 2 Movie Review: A Moral Minefield Gets Reduced to a Hero Playfield
Like spies have dual identities, so too does Sardar 2. Pre-interval Sardar 2 feels like a very different film: a film that is energetic, alert, constantly on the move, with every piece of the puzzle organically seeming to lead to the next. In fact, for vast portions during this period, I remember thinking how cool…