“What I liked about this film is that it isn’t a film about whether the cop can reform the street racer. It’s about something more rooted, more relatable. It’s about whether these two can live as, and I’m not kidding, maaman-machaan.”
“Like its protagonist, Saaho, whose fingers twitch in anticipation of a fight, this film is overzealous about showing off its budget, and what better way than through action sequences—by a Hollywood stunt choreographer—never mind their purpose.”
“Films like #Comali try to convince you that the way to win over a woman is to stare and stare hard at her exposed waist. The director even gives us details of how the folds of her waist move, based on the type of bajji she makes.”
“Kaada muttai (quail egg). Muththuna aamai (overripe tortoise). Asingamaana moonji (revolting face). Echchathattu moonji (a face like a used plate). Kaatu muni (wild hermit). Kaateri (lamia). Kaatu erumai (wild buffalo). Pardon my rather offensive beginning to this review, but I’m simply recounting the many descriptions of Yogi Babu’s appearance in Jackpot.”
“Ever wondered why we watch films, why we give away so willingly our hard-earned money in return for two fleeting hours of enjoyment? It’s because the stories in them free ourselves from the chains of our own reality. They force us into the shoes of others and draw our empathy. Inside the Bigg Boss household, there is no dearth for interesting stories and fascinating character arcs. “
