Rathindran Prasad: Save yourself, not the planet

A striking image in Boomika, one that Pavel Navageethan’s character seems entranced by, is of plants growing through concrete. “Give the planet a bit of time and you will see what it can do. The lockdown, for instance, saw a massive proliferation of animal and plant life. The planet can protect itself. Boomika, the character, does pretty much the same in the film.

Director Vasanth: I don’t chase the limelight anymore

“I’m deeply influenced by Bergman and his films like Through a Glass Darkly and Scenes from a Marriage. I have spent a long time thinking about human relationships, about how no matter how close we are to someone, we are closer to ourselves—about how this causes conflict sometimes. I find this to be an important issue worth making films about.”

Santhosh Narayanan: The human voice is one of the greatest instruments

“I have grown stronger in my conviction that the end goal is always togetherness. This sense of oneness is important for me. That’s what I love about films like Pariyerum Perumal and Karnan, which scream for people to get together. Enjoy Enjaami too is about this oneness. I hope that before I die, I succeed in becoming a strong voice that unifies.”

Selvaraghavan: I hope to make films till my last breath

“I owe it all to cable television. It did not matter if I was beaten up at home for wasting time on it; I would sit and watch the same films over and over again on channels like Star Movies. I was addicted. I was intoxicated by what I was watching. Cinema is an irreplaceable teacher. After everyone at home slept, I would watch cable television all night long, the volume barely high enough for me to hear what was going on.”