Sarkar: Vijay propaganda hinders this film from realising its potential

“He talks of America’s language becoming English instead of German, France becoming a republic from a monarchy, Hitler acquiring dictatorial control over the party… It’s the sort of list you’d expect to see on WhatsApp a week before elections, sent by well-meaning friends. And much like many such noble lists, all the examples cited in this one are entirely wrong.”

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Vada Chennai: A gritty, even if rushed, gangster drama with unforgettable stretches

“In the other murder sequence, you have two novices undergoing a rite of passage of sorts. The event is the equivalent of two young lion cubs hunting a weary hyena. It’s fascinating to see as they, full of vigour and inventiveness, wake up to what they can actually do. It’s a sequence Santosh Narayanan’s music stands out in.”

NOTA: This coming-of-age story doesn’t live up to its early promise

“It’s tempting to think of a Mudhalvan, whose protagonist too gets forced into the Chief Minister seat. And just as with that film, it’s important that you don’t really question the practicality of it all. These films are targeted at the impractical idealist, I suspect, resides in all of us.”

96: A beautiful idea, an efficient film

96 works beautifully in theory… in the head. Long-lost lovers fitting together again — like two pieces in a jigsaw puzzle — just for an evening, after more than a decade, is a dreamy idea. He’s Ram (Vijay Sethupathi), and she’s, no surprises, his Janaki (Trisha). He’s become a photographer, and sought refuge in the…