“It’s a bizarre choice, because in these flashback narratives, Kaali’s actually trying to unearth the truth about the identity of his parents. So, you have the very uncomfortable visual of seeing the character — playing his likely father — romancing his mother. It’s just… bizarre.”
“Arvind Swami totally sells the brutishness of Bhaskar, and his lack of manners — which makes for a recurring joke. The film’s strength is the largely innocent brand of humour it peddles, and you realise this never more than in the final act when the jokes all but disappear, and the film turns tedious.”
“Nag Ashwin couldn’t have made it clearer that Nadigaiyar Thilagam deems Savitri to be an angel descended from above, and a hapless victim of her circumstances. She’s shown to be a munificent spirit who can scarcely come to terms with the dark world she’s inhabiting — one full of ungrateful people and opportunists.”
“Simply because it’s an adult film, a woman walks around with a shirt captioned ‘orgasm’. Men walk around with underwear that bear the image of a banana. It’s a mark of deep sexual repression in our society that the theatre resounded with laughter at these silly references.”
“Having an aborted foetus turning ghost is quite something. Perhaps not too far away in the distant, dark future, we will probably have embryos and zygotes turning ghosts too.”
