Kadaikutty Singam: A likeable celebration of the rural life

“I wish someone somewhere in this film had problematised Ranasingam’s manic desire for a boy, but for lack of this, his smug, self-assured support for his son – even if justified by his son’s nobility – rankles a bit.”


Tamizh Padam 2: A brave, even if not all that effective, comedy

“Somewhere, from being a farcical comedy that takes clever, calculated digs, Tamizh Padam 2 almost turns into a Halloween party. The mere transformation of our actors for likeness, is thought to be enough… but isn’t.”

Mr. Chandramouli: Some interesting ideas in a lackadaisical thriller

In a recent interview with us, Karthik had expressed some surprise over how mimicry artistes imitated him. “Do I really talk like that?” he had asked us. In his latest film, Mr. Chandramouli, it almost feels like he’s trying to mimic those very artistes. It’s every cliché associated with his performances. The infantilism, the devil-may-care…

Tik Tik Tik: A space film that’s not Indianised right

‘For as long as possible, I kept making allowances. I forgave clunky exposition in the name of dialogues. I turned a blind eye to an official discussion about an incoming meteor, which seemed more like a team huddle aimed at identifying the venue of the next office party. I tried not to make a big deal out of paintball being used as a shooting exercise for a space mission sanctioned by the Prime Minister.’

Kaala: An important work by a socially conscious filmmaker

“The film is an exploration into the relationship of the oppressed and the oppressor. The climax works so beautifully because the only real redemption for the oppressed is through unity, through education, through awareness — not through the informed voice of just one leader. Individuals are fallible, ideologies aren’t.”