“I believe that an answer through cinema to propaganda becomes reverse propaganda. We must stick to discussing facts.”
“In Ponmagal Vandhal, a lawyer is permitted to go on tangential, emotional rants. A judge, who looks like a deer caught in headlights, lets out a scream of anguish. When confronted by a professional like Rajarathnam, who says that the judge summoning his client is without any basis, he channels his inner Petta Rap Nagma and screams, “Stop it!””
“Better Call Saul is material worth studying and studying again for how it manages to use fairly straightforward plot points to create visceral feelings.”
Like a drunk man experiencing an occasional, fleeting moment of lucidity, RK Nagar, every now and then, seems to recognise its own astounding mediocrity. The film begins by introducing us to half-a-dozen peripheral characters. There are a bunch of teenage perverts who make secret recordings of naked women and upload them at their internet browsing centre…
“He could help murder someone (Maqbool), and somehow, evoke empathy. This was possible because in playing one of us in a film, he somehow managed to fill the character with every one of us.”
Sudhir Srinivasan 