Much like this cocktail made by Yogi Babu and friends is a mixture of drinks that have no business coming together, the story of this film is an unsettling union of bizarre ideas, including a replica of a smuggled idol, a dead woman who may or may not be drunk, and a cop (Sayaji Shinde) whose boss yells, “En thaaliya arakaadha”, in a bid to pressurise him to solve a case.
Author: Sudhir Srinivasan
Krishna and His Leela Movie Review: An effortlessly deep exploration of modern romance
Krishna and His Leela manages to do this beautifully, treading the delicate line between vilifying and idolising him. It simply paints him as an average young man, prone to the very human follies of instinct and desire. It achieves this neutral ground because it’s not in love with him.
Penguin Movie Review: Keerthy Suresh is good, the film is not
It’s a film whose fleeting intrigue never truly builds into something bigger. Perhaps composer Santhosh Narayanan spotted this and realised the consequent futility of attempting to build on the shallow horror in the material. Perhaps that’s why in scenes featuring a mother bawling over a lost baby, his music remains curiously detached and blithe—like it were simply killing time by itself.
Why Modi and A Beer is a fascinating film
“It’s a film that beautifully establishes how no matter how liberated and well-informed we may be in one area, we may be found sorely lacking in another. Arun speaks of food politics, of the importance of reservation, of equality… but as a man, is he aware of the innate derision he feels for a woman?”
Anurag Kashyap: I need to step out of Bombay
“I believe that an answer through cinema to propaganda becomes reverse propaganda. We must stick to discussing facts.”
Sudhir Srinivasan 