“Kaada muttai (quail egg). Muththuna aamai (overripe tortoise). Asingamaana moonji (revolting face). Echchathattu moonji (a face like a used plate). Kaatu muni (wild hermit). Kaateri (lamia). Kaatu erumai (wild buffalo). Pardon my rather offensive beginning to this review, but I’m simply recounting the many descriptions of Yogi Babu’s appearance in Jackpot.”
“The state of today’s politics is best illustrated by a scene in NGK when the eponymous protagonist, Nanda Gopalan Kumaran (Suriya turning up, as always), returns to his family after consenting to join a political party. You’d think he just told them he’s been diagnosed with terminal illness.”
“It’s a pity because it seemed for a brief while that TSK seemed intent on correcting the weak love angle in Special 26, but then again, despite encouraging early signs, it’s the same old story of the heroine who exists only to pine and worry for the boy. It seems that even Vignesh Shivn is aware of this. He gets her to say, “Adhukku thaane naanga irukkom.” Is he, like Iniyan, trying to attack the system by playing it?”
Sometimes, when you look at your mother, perhaps as she is watching television or reading a newspaper, it’s easy to forget that she too bristled with your youth and harboured the promise of an exciting life once. It’s easy to assume that mothers were born looking the way they do today, saree and all. Of…
It’s Ilaiyaraaja, not Ilayaraja; S.P. Balasubrahmanyam, not S.P. Balasubramaniam; Arvind Swami, not Arvind Swamy; and Prabhu Dheva, not Prabhu Deva. You’re welcome for this life-changing lesson.