Sudha Kongara: Women have to work twice as hard for half the credit

“She pours into her films quite a bit from her own life, she says. For instance, there’s a scene in Soorarai Pottru in which the protagonist Maaran’s father communicates wordlessly. It’s inspired by her father (who passed away during the making of this film and to whom there’s a dedication at the beginning), who kept calling out to her at the end, though he couldn’t speak.”

Jackpot Movie Review: Jyotika and Revathy seem to have fun, we don’t

“Kaada muttai (quail egg). Muththuna aamai (overripe tortoise). Asingamaana moonji (revolting face). Echchathattu moonji (a face like a used plate). Kaatu muni (wild hermit). Kaateri (lamia). Kaatu erumai (wild buffalo). Pardon my rather offensive beginning to this review, but I’m simply recounting the many descriptions of Yogi Babu’s appearance in Jackpot.”

NGK Movie Review: Few memorable moments in an underwhelming Selvaraghavan film

“The state of today’s politics is best illustrated by a scene in NGK when the eponymous protagonist, Nanda Gopalan Kumaran (Suriya turning up, as always), returns to his family after consenting to join a political party. You’d think he just told them he’s been diagnosed with terminal illness.”