“Narai koodi kizha paruvam eidhi, kodum kootruk kiraiyenappin maayum, pala vedikkai manidharai pole naan veezhven endre ninaithayo?”, which roughly translates to, “Like those aging, with greying hair, who suffer the fate of death, did you think I, like contemptible people, will fall?” Petta is Karthik Subbaraj reminding us that the Superstar hasn’t fallen.
Tag: Rajinikanth
2.0: Technical wizardry looks to mask a disappointingly uninspired film
“Rajinikanth, in an interview, recently spoke about how the joy of dreaming is more than the joy of seeing them get realised. On a somewhat similar note, sometimes, it feels like the wait for a Shankar film is more exciting than the actual film itself.”
Kaala: An important work by a socially conscious filmmaker
“The film is an exploration into the relationship of the oppressed and the oppressor. The climax works so beautifully because the only real redemption for the oppressed is through unity, through education, through awareness — not through the informed voice of just one leader. Individuals are fallible, ideologies aren’t.”
The big STR plan
In the case of Simbu’s fans though, there are bigger concerns than the quality of the film… like the existence of the film itself.
The Baashha I knew
For months after the release, Baashha was all you discussed. If you wanted to watch a film, you went and saw Baashha again. You watched it till you could run the film in your head during classes, scene by scene, dialogue by dialogue.
Sudhir Srinivasan 