“Ever wondered why we watch films, why we give away so willingly our hard-earned money in return for two fleeting hours of enjoyment? It’s because the stories in them free ourselves from the chains of our own reality. They force us into the shoes of others and draw our empathy. Inside the Bigg Boss household, there is no dearth for interesting stories and fascinating character arcs. “
‘One of the two funny priests in this film talks at length about how it’s futile to understand vidhi, and how it can only be experienced. It’s probably a bit like this film itself. No matter how much I write about it, you won’t truly understand till you experience it.’
“In a film about terrorism and espionage agents, these visuals are par for the course. This is less about romanticising violence than about establishing authenticity. In a scene, a bunch of children are lined up for rescue, and without warning, a man, of their own kind, suddenly pumps bullets into them. It truly drums in the tragedy of how faith-based propaganda has dehumanised communities.”
“I’d like for Vishwaroopam II to be among my last films, because I have work to do. I’ll do these last few films I’ve already committed to because I need money for myself and the party. Once my political responsibility increases though…”
Indian wasn’t just about a man fighting corruption; it was the beautiful story of a flawed man being self-righteous enough to inflict great personal tragedies, if it meant doing what he thought was the right thing.