“Everyone was so judgmental about that film even before they had seen it. I was being attacked just for being an actor and doing what I thought was perfectly acceptable in my job,” she says. “It was not just the audience… it was the media too. My character in Aadai was used to assassinate my character. I remember that its very release was being held up.”
Tag: Amala Paul
Aadai charmed and confused me in equal measure
“There’s a lovely top angle shot as she finally steps out into freedom, while it is raining buckets. It feels like an ode to The Shawshank Redemption, with Andy Dufresne stepping out of his prison of decades. It’s a different sort of prison for Kamini, with her single day inside her office, feeling like Dufresne’s decades.”
Bhaskar Oru Rascal: Arvind Swami and the jokes almost make this remake work
“Arvind Swami totally sells the brutishness of Bhaskar, and his lack of manners — which makes for a recurring joke. The film’s strength is the largely innocent brand of humour it peddles, and you realise this never more than in the final act when the jokes all but disappear, and the film turns tedious.”
VIP 2: Cashing in on the popularity of the first
“His father, meanwhile, has bright ideas of his own, which include revolutionary solutions like buying ‘malligapoo’ because it apparently worked when he was having a tough time with his wife. If I were Raghuvaran, my ears, no doubt, would have been bleeding. No child should ever have to deal with the misery of having to listen to how their parents turned each other on.”
Sudhir Srinivasan 