Strawberry

Good intentions alone don’t make a good film There are filmmakers out there who really need to be told that it’s quite all right to make films that don’t preach. Good stories subliminally educate, without its characters having to carry placards and deliver monologues. Taking on the greed of private schools is the primary agenda…

Savaale Samaali

A dialogue-heavy average comedy When I was growing up, audio movies were quite the rage. People hugged their transistors close, as they listened to these movies for what was possibly the tenth time. This was, of course, the same time when audio cassettes of stage plays by artistes like Crazy Mohan and S. Ve. Shekher…

Paayum Puli

A few good portions don’t make a wholesome meal As the ominous music played on and the opening credits of Paayum Puli rolled along the backdrop of a partly cloudy sky, I was pleasantly surprised. Another film starring Vishal as a senior police officer would’ve announced itself amid kuthu beats and much fanfare. And Paayum…

A press-ing issue

Press shows are a matter of great pride and excitement for those not in film journalism. For one, they are usually organised the day before the actual release, and for another, the stars of the film are present at the venue. So, you can see why starry-eyed Joe Public will likely consider it to be…

Thakka Thakka

An empty jewellery box Thakka Thakka is a rather crafty film. It’s the equivalent of an empty but exquisitely carved jewellery box. It’s beautiful and promising from the outside. The scenes — especially the ones at night — are dramatically shot (by Sujith Sarang); the editing is crisp (by Sreejith Sarang) and doesn’t let even…