Sudhir Srinivasan

Gethu

Well shot, but no thrills Some movies are so pleasing visually, their every shot composed so painstakingly, that you are happy to cut them way more slack than you’d others. Gethu is one such. The whole movie takes place in an unknown hill station, and so, yes, the exotic locations must have naturally played their…

A bland life? Try it with a smattering of movies

When your main pastime is watching films — and if you’re the kind that sheds more tears in the confines of a theatre than outside — the lines between cinema and real life invariably begin to blur. As Jake Sully says in Avatar , “Everything is backwards now, like out there is the true world,…

Maalai Nerathu Mayakkam

Many Selvaraghavan touches in a mixed bag It has always remained a mystery why Selvaraghavan’s scripts treat sex as some nasty, depraved business. The characters are most awkward discussing it—yes, even by Indian standards—and when they just have to, they spit it out like a piece of food that’s been wedged in their teeth for…

Good intentions but…

Sometime back, I was invited by an acquaintance — an upcoming director — for a ‘story discussion’. He had found a producer, but had no idea what his film should be about. He didn’t have even a one-liner, let alone a bound script. He was sure about one aspect though, and made a proud declaration…

Pasanga 2

More educative than entertaining It’s impossible to resist comparing Pasanga-2 with Taare Zameen Par . They’re both about disorders (here, it’s Attention Deficit Hyperactivity Disorder), they have a chirpy, animated protagonist who totally gets children, there are concerned parents who need to be counselled, and of course, both films make points against conventional teaching methods,…