The opening credits of Ennul Aayiram are shown amid quick black-and-white shots of a gun cocking, vehicles hastening in traffic, a woman running her fingers through her hair… It’s all rather dark, literally, and sets you up for a thriller. So, you don’t really mind the rigmarole of introductions: the hero, Ashok (Maha), is part…
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Dhurandhar: The Revenge review: Where a man is merely a weapon
I have a feeling I’m going to end up repeating a lot of what I said about the first Dhurandhar film. So, let me get it out of the way and summarise quickly: terrific use of music, dynamic action choreography whose repeated gore blunts its own effect, propaganda that’s more in-your-face this time… and a…