Sudhir Srinivasan

Suicide Squad: Suicide squad, indeed

What Marvel achieved by painstakingly releasing film after film to establish its superheroes, DC tries to do with hyper-stylised minute-long intros for the dozen characters that populate—no, crowd—Suicide Squad. Here’s Deadshot (Will Smith); he’s a hired gun who has never missed a shot. You nod in glee, excited to meet the next one. Here’s Harley…

Jason Bourne: Great action sequences in a familiar story

There’s an action sequence in Jason Bourne that is a thing of such cinematic beauty that nothing the director Paul Greengrass could have shown later on would have made me regret watching the film.

Wherever I may roam

Darbuka Siva, debutant composer of upcoming Sasikumar-starrer, Kidaari, tells me that every action in his life is guided by the nomad in him As Darbuka Siva tells me how quickly he tires of routine, how everything he’s ever done in life is to avoid repetition, I cannot but be reminded of Red’s assessment of Dufresne in…

The BFG: An enchanting journey

For those of us whose birthdays were never good enough for lack of an admission letter from Hogwarts, The BFG is the closest a film has come in a long time to waking the child inside, providing the assurance that life’s quite all right and encouraging us to dream away.

Lights Out: A few good scares

The gutsiest people out there will agree that pitch-black darkness is unsettling, for there is nothing more frightening than the conjurings of your mind, pun definitely intended. Director David Sandberg knows this, and in Lights Out, uses it to create some hair-raising sequences in the dark. The malevolent spirit in the film is a creature…