It’s a Liam Neeson film, and so there’s a fair bit of fighting too. But the best fighting in this film is when he’s up against his instinct to accept the job he gets from a stranger.
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Dhurandhar review: Where a man is merely a weapon
I have a feeling I’m going to end up repeating a lot of what I said about the first Dhurandhar film. So, let me get it out of the way and summarise quickly: terrific use of music, dynamic action choreography whose repeated gore blunts its own effect, propaganda that’s more in-your-face this time… and a…