Sudhir Srinivasan

Evanukku Engeyo Macham Irukku: An offensive, disastrous attempt at an adult comedy

“Poor Surekha (Ashna Zaveri, whose face the camera shows little interest in) looks at Hari for the first time, only for him to respond with a persistent, intense gaze of unadulterated lust. Starving lions don’t look at sleeping gazelles with as much desire.”

2.0: Technical wizardry looks to mask a disappointingly uninspired film

“Rajinikanth, in an interview, recently spoke about how the joy of dreaming is more than the joy of seeing them get realised. On a somewhat similar note, sometimes, it feels like the wait for a Shankar film is more exciting than the actual film itself.”

Vandi: A wholly trying, partly offensive film that isn’t redeemed by its hyperlink narrative

“The film rides on the loss of a bike and associated characters, and with an idea like this, each separate story angle needed to be explosive. Vandi’s characters and their respective interactions have the appeal of a rotten pineapple run over by a truck.”

Kaatrin Mozhi: A risk-free, saccharine remake

“The years roll by, but our jokes continue to target obesity, dark complexion, unattractiveness, homosexuality… Oh, and there’s one later about erectile dysfunction.”

Sarkar: Vijay propaganda hinders this film from realising its potential

“He talks of America’s language becoming English instead of German, France becoming a republic from a monarchy, Hitler acquiring dictatorial control over the party… It’s the sort of list you’d expect to see on WhatsApp a week before elections, sent by well-meaning friends. And much like many such noble lists, all the examples cited in this one are entirely wrong.”