Sudhir Srinivasan

Krishna and His Leela Movie Review: An effortlessly deep exploration of modern romance

Krishna and His Leela manages to do this beautifully, treading the delicate line between vilifying and idolising him. It simply paints him as an average young man, prone to the very human follies of instinct and desire. It achieves this neutral ground because it’s not in love with him.

Penguin Movie Review: Keerthy Suresh is good, the film is not

It’s a film whose fleeting intrigue never truly builds into something bigger. Perhaps composer Santhosh Narayanan spotted this and realised the consequent futility of attempting to build on the shallow horror in the material. Perhaps that’s why in scenes featuring a mother bawling over a lost baby, his music remains curiously detached and blithe—like it were simply killing time by itself.

Why Modi and A Beer is a fascinating film

“It’s a film that beautifully establishes how no matter how liberated and well-informed we may be in one area, we may be found sorely lacking in another. Arun speaks of food politics, of the importance of reservation, of equality… but as a man, is he aware of the innate derision he feels for a woman?”

Anurag Kashyap: I need to step out of Bombay

“I believe that an answer through cinema to propaganda becomes reverse propaganda. We must stick to discussing facts.”

Ponmagal Vandhal Movie Review: This courtroom drama about big issues has big issues

“In Ponmagal Vandhal, a lawyer is permitted to go on tangential, emotional rants. A judge, who looks like a deer caught in headlights, lets out a scream of anguish. When confronted by a professional like Rajarathnam, who says that the judge summoning his client is without any basis, he channels his inner Petta Rap Nagma and screams, “Stop it!””