“Heroism in our cinema is usually of two types: Active, where the hero questions something wrong that happens around him, and Reactive, where he reacts to a wrong done to him. I don’t know if it has been done in Indian cinema before, but we came up with the idea of a ‘Proactive’ hero in Thani Oruvan.”
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Dhurandhar: The Revenge review: Where a man is merely a weapon
I have a feeling I’m going to end up repeating a lot of what I said about the first Dhurandhar film. So, let me get it out of the way and summarise quickly: terrific use of music, dynamic action choreography whose repeated gore blunts its own effect, propaganda that’s more in-your-face this time… and a…