Scared by the clichés What’s truly scary about Aranmanai is how it brings nothing new to the horror genre. A creaky door opening slowly is a cue to the audience that they are to be startled with garish music. In another scene, a person moves but her reflection does not. Yet another scene has the…
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Dhurandhar: The Revenge review: Where a man is merely a weapon
I have a feeling I’m going to end up repeating a lot of what I said about the first Dhurandhar film. So, let me get it out of the way and summarise quickly: terrific use of music, dynamic action choreography whose repeated gore blunts its own effect, propaganda that’s more in-your-face this time… and a…