Crash, bang, wallop! Anybody who has watched at least two of all the Tamil films directed by Hari knows that they are usually a hodgepodge of racy scenes written with the primary aim of providing unfussy entertainment. Poojai comes as no shocker; in fact, quite the opposite. Even a math professor couldn’t provide you with…
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Dhurandhar: The Revenge review: Where a man is merely a weapon
I have a feeling I’m going to end up repeating a lot of what I said about the first Dhurandhar film. So, let me get it out of the way and summarise quickly: terrific use of music, dynamic action choreography whose repeated gore blunts its own effect, propaganda that’s more in-your-face this time… and a…