Director Vasanth: I don’t chase the limelight anymore

“I’m deeply influenced by Bergman and his films like Through a Glass Darkly and Scenes from a Marriage. I have spent a long time thinking about human relationships, about how no matter how close we are to someone, we are closer to ourselves—about how this causes conflict sometimes. I find this to be an important issue worth making films about.”

Netrikann Movie Review: Many likeable ideas in a reasonably effective thriller

“Durga is a victim of guilt and loss; Manikandan has a sense of purpose; another character, a food delivery executive, is part of what should feel like a warm relationship too. And yet, not once did I find myself feeling overwhelmed, except, of course, when the dog gets into trouble—which, I suspect, speaks more about me than the film.”

Navarasa Review: Vasanth Sai and Arvind Swami excel in this mixed bag

“Even in moments that don’t necessarily add up to the big picture (like the examination of hierarchy between the cooks), this film shows a lot of sensitivity and interest in human relationships. It’s a film, I dare say, the late K Balachander would have been quite proud of.”

Santhosh Narayanan: The human voice is one of the greatest instruments

“I have grown stronger in my conviction that the end goal is always togetherness. This sense of oneness is important for me. That’s what I love about films like Pariyerum Perumal and Karnan, which scream for people to get together. Enjoy Enjaami too is about this oneness. I hope that before I die, I succeed in becoming a strong voice that unifies.”