Writer has plenty of important objectives, even if they all don’t come together to form an affecting whole There’s plenty interesting about Writer. It’s interesting that the protagonist is a middle-aged frail policeman, Thangaraj (Samuthirakani), who has somehow held on to his inherent goodness despite being an accessory to distortions of justice for decades. It’s interesting that the…

Arun Matheswaran’s Rocky is a gloriously bloody film bolstered by surreal imagery and strong moments of reflection Rocky may seem like it’s in love with violence. I mean, necks are slit, eyes are gouged, and intestines get worn like garlands. And yet, it’s crucial to note that this film encourages plenty of contemplation—the kind you see its self-deprecatory…

A terrific central performance from Allu Arjun and plenty of sharp dialogues, and yet, Pushpa: The Rise – Part 1 should have done better Let it be said clearly and loudly that the foremost attraction in Pushpa: The Rise – Part 1 is the characterisation of the protagonist, Pushpa, and in equal parts, the performance of Allu Arjun that’s…

Jail isn’t exactly worried about infusing characters with strength or personality. Its fundamental purpose seems to be simply to manipulate you into feeling some connection Towards the end of Jail, the text on screen read, “Sila sambavangalukku piragu…” It caught me off-guard—wait, is that not why we are watching the film? Would you mind sharing with us…