Sawaari: Not enough thrills, not enough laughs

It’s becoming increasingly evident that a lot of our new filmmakers have been raised on Western cinema. The visual treatment of the opening scene of Sawaari reminds you of the neo-noir visuals of Sin City. It’s all black and white, except for a burning cigarette. There are slo-mo shots of the smoke. There’s much darkness inside the car,…

Pokkiri Raja

An ineffective comedy that leaves you yawning It takes a while for you to grasp that Pokkiri Raja isn’t a serious film. It is even irreverential in parts: its villain has no problems smoking in a temple, its hero and heroine are in a gag that parodies divine possession… you get the idea. It all…

Miruthan

An inconsistent ‘zombie’ film with excessive melodrama From the director of Naaigal Jaakirathai comes Miruthan , or well, Peigal Jaakirathai . They are not really peigal , or for that matter zombies, as was mentioned during the promotions, but simply “patients”, as doctor Renu (Lakshmi Menon) puts it. You see, these are not undead people,…

Vil Ambu

Good concept, average execution Vil Ambu reminded me a lot of my high school maths teacher. It isn’t respective of your intelligence, and seems to prefer spoon-feeding you with obvious information instead. Take the opening fight sequence of Karthik (Sri), for instance. He’s selling Yennai Arindhaal tickets in black (there’s your mandatory Ajith Kumar reference)….

Jil Jung Juk

Quirky, but little else It appears that chaos theory is quite in vogue, this season. A couple of weeks ago, the Telugu film, Nannaku Prematho, had its protagonist referring to it by its more popular term, butterfly effect. And then, there’s this week’s Vil Ambu, which begins by saying that our lives are often decided by…