“Remember that last scene in Baasha when a defeated Mark Antony sees Manickam striding towards him, and can’t help but see flashes of Baasha, as he once knew him? As Jyotika, playing the role of Geetharani in Raatchasi, delivers supposedly rousing monologues and walks towards the camera, I found myself seeing flashes of Samuthirakani.”
Category: Film Reviews
Sindhubaadh: Some opening warmth gets waylaid in this half-hearted thriller
“The problem, rather ironically, is how good Arunkumar is with the everyday aspects of life. When you are as good with the localising, it’s hard to suddenly get your audience atop the mass bandwagon (unless it’s a Sethupathi, in which the villain and the conflicts are localised too).”
The Extraordinary Journey of the Fakir: An extraordinarily ordinary journey
“I think it’s fair to say we almost know exactly what to expect every time an international production begins to make a film with an Indian protagonist. Of course, he’s going to be from Mumbai, and he’s going to be poor (this film takes it a step further by making him narrate his story, in all its ‘wisdom and beauty’ to a fawning audience made up of four poor Indian boys about to be incarcerated).”
NGK Movie Review: Few memorable moments in an underwhelming Selvaraghavan film
“The state of today’s politics is best illustrated by a scene in NGK when the eponymous protagonist, Nanda Gopalan Kumaran (Suriya turning up, as always), returns to his family after consenting to join a political party. You’d think he just told them he’s been diagnosed with terminal illness.”
Neeya 2: This pretend sequel has no bite
‘One of the two funny priests in this film talks at length about how it’s futile to understand vidhi, and how it can only be experienced. It’s probably a bit like this film itself. No matter how much I write about it, you won’t truly understand till you experience it.’
Sudhir Srinivasan 