India’s jewels

“This trend of labelling films as the first of their kind in the country has turned into a contagious phenomenon. So crucial has it become that makers seem willing to go to  any lengths to legitimise the claim.”

The Naachiyaar problem

“When a character, having been denied rightful justice, resorts to brutality in the name of vigilante justice, it’s a situation to mourn, not one to celebrate.”

The longevity of Trisha

“Even that legendary heroine of the 90s — Khushboo — didn’t feature as long as a heroine. Trisha’s career, in terms of longevity at least, is an achievement.”

Cracking Kolaveri

“So, why did an entire generation get hooked to it? Well, that’s a question I suspect both Anirudh and Dhanush are tired of trying to answer, and perhaps trying to figure out too.”

Whistles, not wolf whistles: Why Nayanthara matters

The adulation, the rooting, the selfless connection was always reserved for the hero. The heroine could disappear after the cursory duet or two, but should the hero come into danger, all hell would break loose. BUT. This hasn’t been the case in recent Nayanthara films.