Bogan and puritanical notions

Unfortunately, reality, as Nallasivam of Anbe Sivam (2003) indicates, is more complicated. Evil people cannot be, and must not be lazily profiled by trivialities like ugly looks, bad hygiene, or innocuous personal choices. And yet, our filmmakers persist with this notion.

Gangs of Social Media

It was the utopian place where opinions could be shared without limitations of status. It was where you could voice ideas without fear of denouncement.
It was.

Year 2016 in Tamil cinema

This was also a year of sequels. Even films you’d never have imagined would get a sequel, or wanted one for, got them.

A letter to Suraj

I’ve long suspected that ‘glamour’ is often used in the industry as a euphemism to commodify heroines. It appears to be used to persuade them into believing in the ‘commercial’ film system, as you put it; into believing that skin-show is an essential part of the system, of telling such stories.