While all of our known universe remained consumed by Kabali, the Swathi issue has been gently pushed away from public consciousness, and along with it, the palpable anger at the depiction of stalking as a perfectly normal — why, even romantic — manner of courtship in Tamil cinema. There was even an online petition against…
Author: Sudhir Srinivasan
Suicide Squad: Suicide squad, indeed
What Marvel achieved by painstakingly releasing film after film to establish its superheroes, DC tries to do with hyper-stylised minute-long intros for the dozen characters that populate—no, crowd—Suicide Squad. Here’s Deadshot (Will Smith); he’s a hired gun who has never missed a shot. You nod in glee, excited to meet the next one. Here’s Harley…
Jason Bourne: Great action sequences in a familiar story
There’s an action sequence in Jason Bourne that is a thing of such cinematic beauty that nothing the director Paul Greengrass could have shown later on would have made me regret watching the film.
Wherever I may roam
Darbuka Siva, debutant composer of upcoming Sasikumar-starrer, Kidaari, tells me that every action in his life is guided by the nomad in him As Darbuka Siva tells me how quickly he tires of routine, how everything he’s ever done in life is to avoid repetition, I cannot but be reminded of Red’s assessment of Dufresne in…
The BFG: An enchanting journey
For those of us whose birthdays were never good enough for lack of an admission letter from Hogwarts, The BFG is the closest a film has come in a long time to waking the child inside, providing the assurance that life’s quite all right and encouraging us to dream away.
Sudhir Srinivasan 