The film is full of conversations — generally between two people — and mind you, these chats don’t always seek to propel the plot forward.
Author: Sudhir Srinivasan
Solo: One horrible twist almost destroys a fairly fulfilling film experience
When Bejoy Nambiar pulls the rug from under your feet, it feels unexpected, sure, but also hilarious. Given that the whole team seems to have bought into this segment (composer Sooraj Kurup has been inspired enough to create the beautiful Seetha Kalyanam), I can only speculate that the idea must have seemed fascinating in writing.
Return of the Indian
Indian wasn’t just about a man fighting corruption; it was the beautiful story of a flawed man being self-righteous enough to inflict great personal tragedies, if it meant doing what he thought was the right thing.
Hara Hara Mahadevaki: Even a broken clock…
Are you ballsy enough to share my misery?
Karuppan: A fairly enjoyable village drama brought down by its underdeveloped villain, languid pace
Karuppan seems to be made almost with the same sort of languor that you imagine village life to be. Fair enough, the film’s about a family in the village, after all. This indolence in story development would be unbearable in a bad film. But Karuppan has heart… and Vijay Sethupathi. In one scene, you…
Sudhir Srinivasan 