“Both are somewhere on an icy landscape in France, and the camera glides over them like a bird; you instantly realise with trepidation that a duet is about to be detonated. Sure enough, you get Koottippo Koodave, a song in which the hero stands and walks around, as Yazhini performs a mating ritual dance near him. I suppose it’s my fault that I thought this hero was above such filmmaking.”
Author: Sudhir Srinivasan
Kamal Haasan: ‘I have turned out to be like Thevar Magan’s hero’
“I’d like for Vishwaroopam II to be among my last films, because I have work to do. I’ll do these last few films I’ve already committed to because I need money for myself and the party. Once my political responsibility increases though…”
Kadaikutty Singam: A likeable celebration of the rural life
“I wish someone somewhere in this film had problematised Ranasingam’s manic desire for a boy, but for lack of this, his smug, self-assured support for his son – even if justified by his son’s nobility – rankles a bit.”
Tamizh Padam 2: A brave, even if not all that effective, comedy
“Somewhere, from being a farcical comedy that takes clever, calculated digs, Tamizh Padam 2 almost turns into a Halloween party. The mere transformation of our actors for likeness, is thought to be enough… but isn’t.”
CS Amudhan: We are not trolls
“I find people using words like ‘bangam’, troll, and ‘kalaai’ in talking about this film. Some seem to believe that the film is just a collection of memes. I reject such conclusions. Our objective is to make people laugh, and to that effect, we are picking well-known moments from Tamil cinema mainly. It’s not about targetting a few actors.”
Sudhir Srinivasan 